press

Dido and Aeneas

Pacific MusicWorks

"Julia Benzinger's wonderfully spiteful and imaginatively phrased Sorceress stole the show whenever she took the spotlight."

-Opera Now

​

""Mezzo Julia Benzinger was a thoroughly menacing sorceress"

-The SunBreak

​

Götterdämmerung

Miami Music Festival

"Julia Benzinger’s warmth of timbre, silvery top register, and declamation were riveting."

-South Florida Classical Review

​

"La primera Norna a cargo de Julia Benzinger mostró carismática presencia y un timbre de contralto fresco, evocando la mas noble madera."

-Miami Clasica

​

​

The Rape of Lucretia

Vespertine Opera

"Julia Benzinger’s Lucretia captures the confusion, loathing, and loathing of self—her body juddering between hesitance and urgency—that occurs when a victim decides she is partly to blame and then becomes ashamed and suicidal."

-The Stranger

Farewell, Auschitz

Music of Remebrance

"Mezzo soprano Julia Benzinger sang defiantly"

-Classical Voice America

Szenen aus dem Leben der Heilgen Johanna

Deutsche Oper Berlin

"Julia Benzinger, as Saint Margaret, impresses with her luscious mezzo"

-International Herald Tribune

The Cunning Little Vixen

Deutsche Oper Berlin

"También fue una agradable sorpresa su enamorado y romántico zorro, Julia Benzinger"

-Mundo classico

Carmen

Oldenburg Promenade

"Julia Benzinger was charged with bringing the incredible fire and passion of the gypsy Carmen to life. And that's just what she did."

-Märkische Oderzeitung

Cassandra

Deutsche Oper Berlin

"Of young American artists, Julia Benzinger sang strongly in the title role"

-Opera Magazine

​

​

​