©2017 by JULIA BENZINGER

    press

    Dido and Aeneas

    Pacific MusicWorks

    "Julia Benzinger's wonderfully spiteful and imaginatively phrased Sorceress stole the show whenever she took the spotlight."

    -Opera Now

    ""Mezzo Julia Benzinger was a thoroughly menacing sorceress"

    -The SunBreak

     

    Götterdämmerung

    Miami Music Festival

    "Julia Benzinger’s warmth of timbre, silvery top register, and declamation were riveting."

    -South Florida Classical Review

    "La primera Norna a cargo de Julia Benzinger mostró carismática presencia y un timbre de contralto fresco, evocando la mas noble madera."

    -Miami Clasica

    The Rape of Lucretia

    Vespertine Opera

    "Julia Benzinger’s Lucretia captures the confusion, loathing, and loathing of self—her body juddering between hesitance and urgency—that occurs when a victim decides she is partly to blame and then becomes ashamed and suicidal."

    -The Stranger

     

     

    Farewell, Auschitz

    Music of Remebrance

    "Mezzo soprano Julia Benzinger sang defiantly"

    -Classical Voice America

     

     

    Szenen aus dem Leben der Heilgen Johanna

    Deutsche Oper Berlin

    "Julia Benzinger, as Saint Margaret, impresses with her lucious mezzo"

    -International Herald Tribune

     

     

    The Cunning Little Vixen

    Deutsche Oper Berlin

    "También fue una agradable sorpresa su enamorado y romántico zorro, Julia Benzinger"

    -Mundo classico

     

     

    Carmen

    Oldenburg Promenade

    "Julia Benzinger was charged with bringing the incredible fire and passion of the gypsy Carmen to life. And that's just what she did."

    -Märkische Oderzeitung

     

     

    Cassandra

    Deutsche Oper Berlin

    "Of young American artists, Julia Benzinger sang strongly in the title role"

    -Opera Magazine